Amandla

These struggles are depicted through music. Upon further research, I discovered Amandla is a Nguni word meaning power. Amandla was produced by Sherry Simpson Dean and Lee Hirsch. The film is shown in chronological order, and also augmented with archival footage from historical events. Blacks in South Africa were denied many basic human rights while the world ignored. In 1948, the Afrikaner Nationalist arose, and during the 1950s, apartheid policies were being implemented. Black South Africans were taken from their homes and forced to live in townships, where they had to carry passbooks, were meaninglessly tortured and killed, and also could be arrested for no reason at all. Although their freedom was inhibited, they expressed their pain through song. Currently, despite the lingering problems within South Africa, blacks and whites live amongst each other. The movie pays great homage to the songs of protest that halted Apartheid. Amandla begins with Prime Minister Verwoerd declaring racial segregation in 1948. It is said to be â€Å"a policy of good-neighborliness. † Vuyisile Mini, a composer whos creation of protest songs eventually led to his hanging, is also being exhumed from his grave. Scenes from the Sharpeville Massacre, the Soweto uprising, and Nelson Mandelas joyous election to the office of President in 1994 are all depicted in great detail. Mini is given a proper burial at the end of the film. The film explains how the songs touched people different from speeches or demonstrations. Different stages of the struggle for equality brought upon different songs. For example, Minis song â€Å"Beware Vorwoerd† and Vilakazis â€Å"Meadowlands. † These songs, and many others, showed how diligent the South African people were about their cause, and also was a symbol of the energy they had in completing their mission. Although music is a major aspect of the film, the interviews with those who had first-hand experience to the events. Many (like Abdullah Ibrahim, Hugh Masekela, and Miriam Makeba) were sent to prison or exiled. They spoke in great detail of how homesick they were and how hurtful it was not to be able to return to South Africa. White police officers and executioners are even interviewed. The climax of the film is Nelson Mandelas release from prison with thousands of people happily singing and cheering his return from prison. He is eventually elected to president of South Africa. Although South Africa has much work ahead of it, it has progressed. People are battle against crime, corruption, poverty and AIDS. Amandla is a great affirmation to the past and gives inspiring hope towards the future of South Africa. It captured moments in history, while still explaining the present problems that exist, including the process of rapprochement. This film also does a good job of explaining that music has, and always will, play an important role in the complicated history of South Africa.

Sony Corp Research Paper Example | Topics and Well Written Essays - 1000 words

Sony Corp - Research Paper Example orporation is a part of the parent company which is known as Sony group and Sony group has four different operating segments like motion pictures, electronics, financial services and music. Thus Sony has become one of the largest entertainment companies in the world. Sony Group was founded by Masaru Ibuka and Akio Morito and they have derived the name Sony from a Latin word sonus which means sound and also from an English word sonny which means presentable and smart young men in Japanese. The original name of the company was Tokyo Tsushin Kogyo which means Tokyo Telecommunications Engineering Corporation. The company started using its initials TTK to market itself. But soon the owners realized the American public could not relate to that name TTK. Therefore, in the year 1958, the name was changed to Sony. The current share price of Sony Corporation is $17.63 per share at NYSE and on other stock exchanges it is 1761 Japanese yen per share. For the historical prices we have taken the share price of the previous two years starting from January 2012 to 14th march 2014. From the following table we can see that the monthly price per share from the month of January 2012 to 3rd march 2014. The daily price per share for the given period is shown in the appendix. From the above graph we can see that the share price of Sony was high during March 2012 but the share prices went down during the period of September to November 2012. It again started to increase from January 2013 and reach the highest level during September and October 2013. After that it has slightly went down but it is continuing in stable phase in these first three months of 2014. The nature of share of Sony Corporation can be measured by Earning per share and market price per share ratio. P/E ratio is the most common method to measure whether the stock is good or not. Generally, shares which have higher P/E ratio are considered as expensive and shares with lower P/E ratio are considered as cheap. But

RESEARCH ON YOUTH CULTURE MOST INVARIABLY TENDS TO ROMANTICISE OR Essay

RESEARCH ON YOUTH CULTURE MOST INVARIABLY TENDS TO ROMANTICISE OR OVER-POLITICISE INSTANCES OF YOUTHFUL RESISTANCE. DISCUSS WITH REFERENCE TO Thornton, S, C - Essay Example There is not one monolithic youth culture that defines all young people. Popular youth culture embraces a diversity of sub-cultures or â€Å"tribes† such as skaters, druggies, snobs, band geeks, Satanists, Jesus freaks, techno-goths, computer dweebs, blacks, Latinos and white trash. Groups distinguish themselves by dress, style, music, body modification practices, race, ethnicity, and language. (Hines, 1999) Thus a researcher, who intends to study the ethnic, racial, political, cultural, sociological or linguistic aspect of a subculture, often ends up in analysing one of the factors and tend to romanticise or over-politicise these aspects. Subcultures were one of the major fields of inquiry at the Birmingham Centre for Contemporary Cultural Studies in the 1970s, and this overview will take as its starting point Resistance Through Rituals, the BCCCS’s 1976 collection of working papers on the subject. In the introduction, the authors acknowledge their debt to the interactionist sociological approach to deviant behaviour, and especially to Howard Becker’s 1963 book Outsiders. Here, Becker’s theoretical work on art worlds and on deviance intersect in the classic study of freelance dance band musicians, whose â€Å"culture and way of life [were] sufficiently bizarre and unconventional for them to be labeled [sic] as outsiders by more conventional members of the community† (Outsiders 79). Becker builds an intricate ethnographic analysis around the values encoded in the concept of â€Å"hipness† (as opposed to â€Å"square† society) and the way such values are made to operate tactica lly within the subculture. This study, published in 1963, is part of the corpus referred to by Gelder and Thornton as the â€Å"Chicago school† whose themes (male urban opposition to ‘mainstream’ commercial and moral values) clearly prefigure the main preoccupations of the British cultural studies